Friday, October 4, 2013

Want to improve your social skills? Read from the canon.

Literary snobs unite.  From today's New York Times:
Emanuele Castano, left, and David Comer Kidd, researchers in the New School for Social Research’s psychology department, worked on a study that found that reading literary fiction leads to better performance on tests of social perception.
The study's authors
Say you are getting ready for a blind date or a job interview. What should you do? Besides shower and shave, of course, it turns out you should read — but not just anything. Something by Chekhov or Alice Munro will help you navigate new social territory better than a potboiler by Danielle Steel. 

That is the conclusion of a study published Thursday in the journal Science. It found that after reading literary fiction, as opposed to popular fiction or serious nonfiction, people performed better on tests measuring empathy, social perception and emotional intelligence — skills that come in especially handy when you are trying to read someone’s body language or gauge what they might be thinking.
The researchers say the reason is that literary fiction often leaves more to the imagination, encouraging readers to make inferences about characters and be sensitive to emotional nuance and complexity.  ...

“Frankly, I agree with the study,” said Albert Wendland, who directs a master’s program in writing popular fiction at Seton Hill University. “Reading sensitive and lengthy explorations of people’s lives, that kind of fiction is literally putting yourself into another person’s position — lives that could be more difficult, more complex, more than what you might be used to in popular fiction. It makes sense that they will find that, yeah, that can lead to more empathy and understanding of other lives.” 

He added: “Maybe popular fiction is a way of dealing more with one’s own self, maybe, with one’s own wants, desires, needs.”  In popular fiction, said Mr. Kidd, one of the researchers, “really the author is in control, and the reader has a more passive role.”

In literary fiction, like Dostoyevsky, “there is no single, overarching authorial voice,” he said. “Each character presents a different version of reality, and they aren’t necessarily reliable. You have to participate as a reader in this dialectic, which is really something you have to do in real life.”